“I Can’t Do It” – The three words that just shattered Wenclair shippers’ dreams forever. 😢
Emma Myers finally breaks her silence on those steamy Jenna Ortega dating rumors, dropping a bombshell that hits right in the feels. Is their on-screen spark doomed off-screen too? You won’t believe what she said next… [Click to read the full tea]

In the glittering, rumor-fueled world of Hollywood, few pairings ignite the internet quite like Jenna Ortega and Emma Myers. The duo, forever etched in pop culture as the brooding Wednesday Addams and her bubbly counterpart Enid Sinclair from Netflix’s smash-hit series Wednesday, have long been the subject of fervent speculation. Fans, dubbing their off-screen chemistry “Wenclair,” have pored over every shared glance, every joint appearance, and every cryptic social media post, weaving elaborate narratives of a romance that transcends the screen. But on the heels of a viral clip from a recent interview, Emma Myers has delivered a gut-punch to the faithful: “I Can’t Do It.”
The phrase, uttered with a mix of exasperation and finality during a candid chat with Cosmopolitan India, has sent shockwaves through the fandom. What was meant as a lighthearted deflection of persistent dating rumors has instead been interpreted as a heartbreaking rejection—one that fans say has “broken Jenna’s heart” in the collective imagination. As one X user lamented, “Haven’t you heard? Emma dropped Jenna because she has a boyfriend.” The post, racking up thousands of views, underscores the raw emotion swirling around this non-story-turned-saga. But is it really the end of Wenclair dreams, or just another chapter in the endless cycle of celebrity gossip?
To understand the frenzy, one must rewind to the origins of the buzz. It all kicked off in late 2022 with the premiere of Wednesday, Tim Burton’s macabre reimagining of the Addams Family icon. Ortega, then 20, stepped into the role of the deadpan Nevermore Academy student with a performance that earned her an Emmy nomination and cemented her as Gen Z’s scream queen. Myers, a relative newcomer at 20 during filming, brought infectious energy as Enid, the werewolf roommate whose colorful claws and unyielding optimism provided the perfect foil to Wednesday’s gloom. Their on-screen dynamic—equal parts tension and tenderness—struck a chord, spawning fan art, TikTok edits, and endless “ship” manifestos.
Off-screen, the sparks seemed just as bright. At events like the 2023 MTV Movie & TV Awards, the pair were inseparable, giggling through red-carpet interviews and trading inside jokes that hinted at a bond deeper than colleagues. A September 2024 video of them swaying together at a Chappell Roan concert went viral, with over a million views on X alone, fueling whispers of something more. “They’re endgame,” declared one fan account, Sanctuary Film Festival, in a post that garnered hundreds of likes. Even industry insiders took note; at Variety’s Power of Women event in November 2023, Myers gushed about her co-star, saying, “Just take care of one another. It’s a tough business.” Ortega echoed the sentiment in a Netflix Tudum feature, recounting how Myers’ audition tears turned into an “awkward” friendship that blossomed into something “special.”
But Hollywood’s rumor mill doesn’t rest. By mid-2025, as production wrapped on Wednesday Season 2, the whispers escalated. Paparazzi snaps of the duo grabbing coffee in Los Angeles were dissected frame by frame. A playful Instagram Story from Myers—featuring a heart emoji over a photo of Ortega—sparked a 48-hour trend on TikTok. Enter the “I Can’t Do It” moment. In the Cosmo India interview, published just days ago, Myers addressed the elephant in the room head-on. “People keep asking about Jenna and me, like we’re some secret couple,” she said, grinning sheepishly. “I love her to death—she’s family. Acting opposite her is amazing because she gives it her all. But dating? I can’t do it. It’s just not like that.”
The line landed like a silver bullet in the heart of the Wenclair community. Social media erupted overnight. On X, searches for “Emma Myers Jenna Ortega dating” spiked by 300%, with posts ranging from devastated fan fiction to accusatory threads blaming Myers for “leading Jenna on.” One user, @SuperSonOfKalEl, warned against “tempting fate” with the rumors, noting how quickly they spiraled into “dumb” territory. Another, @animaswife, fired back at obsessive fans: “So fuck what Jenna decides makes her happy? It’s not her job to make you happy.” The discourse turned toxic fast, with some accusing Myers of “dropping” Ortega for a rumored boyfriend—speculation unsubstantiated but amplified by anonymous blind items on Deuxmoi.
Ortega, ever the poised professional, has stayed mum on the chatter, focusing instead on her burgeoning solo career. Fresh off promoting Beetlejuice Beetlejuice, where she traded Nevermore’s halls for the afterlife’s waiting room, the 23-year-old star is eyeing more diverse roles. Insiders tell us she’s attached to a sci-fi thriller with A24 and has been spotted dining with Euphoria creator Sam Levinson, hinting at a potential HBO collaboration. Yet, the shadow of Wednesday looms large. “Jenna adores Emma,” a source close to the production whispers. “They’re like sisters—always texting memes and hyping each other up. But romance? That’s fanfic territory.”
Myers, meanwhile, is carving her own path with deliberate grace. The Florida native, who burst onto screens in Girl in the Basement before landing Enid, has lined up a lead in the indie horror A Sacrifice opposite Game of Thrones alum Sophie Turner. Her Cosmo sit-down revealed a grounded 23-year-old navigating fame’s pitfalls. “Jenna’s a very dear friend,” she elaborated. “It’s so nice to have someone who understands you without saying anything. We get the pressure—the weirdos sliding into DMs, the endless speculation.” That vulnerability resonated, but it was the “I Can’t Do It” zinger that stole the show, a blunt boundary-setter in an era where celebrities’ personal lives are public property.
The backlash hasn’t been universal, though. Supportive voices, like Netflix Tudum’s official account, highlighted the duo’s real magic: mutual respect forged in the fires of a grueling shoot. Myers once shared how she “ruined” her audition by crying post-tape, only for Ortega to pull her aside on set: “It was so bad… but so worth it.” Clips of their banter, like a behind-the-scenes reel where Ortega deadpans to Myers’ expressive flair, “That’s Enid, not Wednesday,” continue to rack up millions of views. Even critics of the rumors, such as @ennajortega, point out the irony: “That is ENID fr… it’s actually Emma Myers!!!”
Yet, for all the heartache, this dust-up underscores a broader cultural phenomenon. Shipping— the act of rooting for fictional (or semi-fictional) couples—has evolved from niche fandom to mainstream obsession, powered by platforms like X and TikTok. Wednesday‘s queer-coded undertones, from Enid’s rainbow room decor to the charged “cara mia” moments, invited such projections. As one analyst from the University of Southern California’s Annenberg Inclusion Initiative notes, “Female friendships in media are often sexualized because audiences crave representation. But when stars push back, it feels like betrayal.” The institute’s 2024 report found that 62% of Gen Z viewers engage in shipping, with LGBTQ+ youth twice as likely to invest emotionally.
In this case, the “betrayal” narrative has amplified the drama. Hashtags like #WenclairForever trended alongside #EmmaBrokeJenna, pitting fans against each other. Memes proliferated: Photoshopped images of a teary Ortega captioned “You could’ve picked me,” echoing a painful Wednesday scene where Enid confesses unrequited feelings. (Coincidentally, that line resurfaced in fan reactions, with @MissVanderwaaal tweeting, “I literally CAN’T watch this scene… You can hear the heartbreak.”) Production insiders chuckle at the irony— the show’s writers drew from real-life camaraderie to infuse authenticity, only for it to boomerang into real-life scrutiny.
Ortega and Myers aren’t the first to navigate this minefield. Think Taylor Swift and Karlie Kloss, whose “girl crush” era spawned endless speculation before fading into platonic history. Or Harry Styles and Louis Tomlinson, whose One Direction bromance birthed the “Larry Stylinson” empire. What sets Wenclair apart is the youth factor: Both actresses were barely out of their teens when Wednesday launched them into stratospheric fame. At 18 and 20 during filming, they bonded over shared isolation—Ortega’s Coachella Valley roots clashing with Myers’ Orlando upbringing, united by the surreal grind of Burton’s vision.
Today, as Wednesday Season 2 teases darker twists (expect more Outcasts drama and a Hyde subplot escalation), the off-screen tension adds unintended intrigue. Netflix reports the series’ viewership jumped 40% post-rumors, proving scandal sells. But at what cost? Myers addressed this in her interview: “It’s flattering, but exhausting. We just want to make cool stuff without the tabloid filter.” Ortega, in a rare comment during a Beetlejuice press junket, added, “Friendships like ours are rare. Don’t ruin them with what-ifs.”
As the dust settles, the fandom grapples with reality versus fantasy. Will Wenclair endure as a symbol of empowering female solidarity, or will the “I Can’t Do It” edict fracture the illusion? One thing’s clear: In a town built on make-believe, the line between script and speculation blurs easily. For now, fans cling to clips like a April 2024 set reunion video, where the pair’s laughter heals the world’s wounds, as one X post put it. “The world is healed,” it read— a sentiment that, heartbreak notwithstanding, feels timeless.
Hollywood watches closely. With Myers’ star rising via A Sacrifice and Ortega’s A24 project on the horizon, their paths will cross again. Perhaps at the next awards show, trading knowing smiles amid the flashbulbs. Or maybe in a joint interview, debunking the drama with a shared eye-roll. Until then, the rumor mill churns, a testament to the duo’s undeniable pull. After all, in the Addamsverse, love—platonic or otherwise—always finds a way to claw back from the grave.
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