🚨 WHAT HAPPENED TO THE FLASH?! 😱 Ezra Miller just popped up at major events looking… OTHERWORLDLY. Long hair flowing, wild outfits, sprinting red carpets like they’re still outrunning Zod — but is this a comeback… or complete chaos? 🔥

From choking scandals and arrests that nearly tanked The Flash movie… to vanishing for years… now they’re back at Cannes and fancy festivals, teasing a “tentative” Hollywood return. James Gunn already erased their Barry Allen from the NEW DCU — no more speedster suit for Ezra.

One side: “Let them heal and create art!” The other: “This is peak bizarre — Hollywood’s lost it!”

Full details:

Social media has once again turned its focus to Ezra Miller, the actor who portrayed Barry Allen/The Flash in Warner Bros.’ now-defunct DC Extended Universe (DCEU). Recent viral posts ask, “What the hell happened to DCU’s The Flash?” while spotlighting Miller’s appearances at international film festivals in 2025, often described with terms like “bizarre” or “remarkable.” The commentary centers on Miller’s distinctive look — long hair, unconventional attire — and questions whether these sightings signal a career revival or underscore persistent concerns following years of personal turmoil.

Miller, 32, who uses they/them pronouns, became a central figure in superhero cinema with roles in Justice League (2017) and the standalone The Flash (2023). The latter film, directed by Andy Muschietti, featured multiverse elements, cameos from Michael Keaton and Ben Affleck, and high expectations as a potential bridge between old and new DC properties. It grossed under $271 million worldwide against a reported $200–300 million budget, factoring in marketing, and received mixed reviews praising visual effects but criticizing narrative overload and fatigue in the genre.

The film’s troubled production and reception were compounded by Miller’s off-screen issues. Between 2020 and 2022, incidents included a video appearing to show Miller choking a fan in Iceland (later contextualized by some as performance art), arrests in Hawaii for second-degree assault, disorderly conduct, and harassment, and allegations of grooming and cult-like behavior tied to a Vermont property. Protective orders were filed and later lifted or resolved, with some accusers recanting claims. In August 2022, Miller issued a public statement acknowledging “complex mental health issues” and committing to treatment.

Following these events, Miller stepped away from major publicity. Their last significant red-carpet moment before 2025 was the The Flash premiere in June 2023, a low-profile appearance limited to photos without interviews. The actor largely avoided the spotlight for nearly two years, with no major acting credits announced during that period.

The shift began in May 2025 at the Cannes Film Festival. Miller attended the premiere of Lynne Ramsay’s Die, My Love, reuniting with the director from their 2011 collaboration on We Need to Talk About Kevin. Video footage showed Miller — in a burgundy tuxedo, beret, and long hair — moving quickly past photographers without stopping. Media outlets described it as a “surprise” and “blink-and-you’ll-miss-it” moment, marking their first red-carpet event since 2023.

In June 2025, Miller appeared at the Filiming Italy Sardegna Festival over multiple days. Photos captured varied outfits, including a dress on one occasion, and showed them holding hands with Milla-Alexia Gojkovic. In a rare interview with Italian publication Lo Speciale Giornale, Miller described their industry relationship as “on tentative grounds” and called the Cannes appearance a challenging re-entry. They hinted at an upcoming project with Ramsay, potentially as lead, describing it as their likely first step back into acting.

These events drew scrutiny for their unconventional elements — rapid movements, eclectic fashion, and the contrast with prior controversies. Some online commentary framed them as “bizarre,” echoing earlier criticisms of Miller’s public persona. However, festival appearances served promotional purposes, supporting independent cinema rather than blockbuster circuits.

In James Gunn’s rebooted DC Universe (DCU), Miller’s Flash has no future. Gunn, co-CEO of DC Studios since late 2022, has confirmed the prior DCEU continuity — including Miller’s Barry Allen — is not canon in the new franchise. A 2025 Peacemaker Season 2 recap explicitly retconned Justice League appearances, erasing Miller’s version. Gunn has stated DC Studios is “holding a beat” on Flash development, prioritizing screenplay readiness for other projects. Speculation points to potential recasting in future series, such as rumored Jimmy Olsen programming, but no concrete plans exist.

Muschietti previously praised Miller’s performance, stating no one else could match their interpretation if sequels occurred — comments made before the full scope of DCU changes. The 2023 film’s underperformance and associated baggage likely influenced the decision to move forward without Miller.

Miller’s 2025 sightings represent a measured return rather than a full resurgence. No major studio roles or DC ties have emerged, with focus on arthouse collaborations. Mental health advocates note the importance of privacy during recovery, while critics argue public appearances invite scrutiny given past behavior.

The viral narrative linking Miller’s “bizarre” look to the “what happened” to The Flash reflects broader entertainment discourse: celebrity accountability, redemption arcs, and franchise reboots. For DC fans, the Flash remains in limbo — a character with rich comic history awaiting a new on-screen home. For Miller, the path forward appears indie-focused and tentative, as they navigate personal and professional recovery amid persistent online attention.

Whether these festival moments foreshadow more visibility or remain isolated supports for filmmakers like Ramsay, they underscore Hollywood’s complex balance between talent, controversy, and second chances. As the DCU launches with projects like Superman (2025), the era of Miller’s Flash recedes further into the past, leaving questions about legacy, reinvention, and the industry’s handling of troubled stars.