“Nobody Wants This” Season 2 has solidified its status as Netflix’s must-watch rom-com, holding the No. 1 spot on the English TV list for two consecutive weeks and drawing over 9 million viewers worldwide in its latest tracking period. The series, which premiered on October 23, 2025, racked up 9.4 million views from October 27 to November 2 alone, according to Netflix’s official Top 10 data released on November 4. This marks a strong follow-up to its first-week performance of 8.6 million views, bringing the season’s total to 18 million in just 11 days. The show’s success has even revived interest in Season 1, which climbed back into the Top 10 at No. 7 with 2.4 million views during the same frame.

Created by Erin Foster and loosely inspired by her own experiences, “Nobody Wants This” follows podcast host Joanne (Kristen Bell) and rabbi Noah (Adam Brody) as they navigate a whirlwind romance complicated by cultural clashes, family expectations, and personal growth. Season 2 picks up where the first left off, delving deeper into their interfaith relationship with episodes blending humor, heartfelt moments, and relatable dilemmas. Highlights include Joanne’s evolving career in media and Noah’s synagogue duties, all underscored by sharp writing and the undeniable chemistry between Bell and Brody. Critics on Rotten Tomatoes gave the season an 85% approval rating, praising its “emotionally intelligent exploration of complexities” while noting some pacing critiques in longer arcs.

The surge in viewership reflects Netflix’s knack for rom-com hits, with the series outperforming newcomers like “The Witcher” Season 4 (7.4 million views at No. 2) and “The Diplomat” Season 3 (3.2 million at No. 5). Globally, it has charted in 82 countries, boosting the original season’s reach to 89 nations and eight weeks total in the Top 10. Netflix Tudum reported the combined seasons have amassed 48.7 million views since Season 1’s September 2024 debut, translating to 215.4 million hours watched. This momentum prompted Netflix to renew the show for Season 3 on November 4, 2025—barely two weeks after Season 2 dropped—with creator Foster announcing the news via a playful Instagram video: “Joanne and Noah aren’t done meddling in each other’s lives yet.”

Foster, who stepped back as showrunner for Season 2 to focus on writing, handed the reins to Jenni Konner and Bruce Eric Kaplan, known for their work on “Girls” and “Seinfeld.” The transition paid off, infusing fresh dynamics while retaining the series’ witty voice. Bell, reprising her role after a string of voice work in “The Girl in the Lake,” told Variety in an October interview, “Season 2 lets Joanne mess up in the best ways—it’s messy, real love.” Brody, drawing from his “The O.C.” roots, added depth to Noah’s character, balancing humor with vulnerability. Supporting cast standouts like Justine Lupe as Joanne’s sister and Timothy Simons as her producer keep the ensemble lively, with guest spots from Mindy Kaling and Ken Jeong adding star power.

Production wrapped filming in March 2025 at Vancouver studios, with location shoots in Los Angeles capturing the urban buzz of Joanne’s world. The budget, reportedly $8 million per episode, allowed for polished visuals and a soundtrack featuring indie folk tracks that mirror the couple’s emotional journey. Netflix’s global push included dubbed versions in 20 languages and promotional tie-ins like branded coffee mugs nodding to the show’s podcast theme. Streaming analytics show binge patterns peaking on weekends, with 60% of viewers finishing the season within three days—a testament to its addictive pull.

The renewal news thrilled fans, who flooded social media with memes of Noah’s awkward family dinners and Joanne’s viral podcast rants. #NobodyWantsThisS3 trended worldwide, amassing 1.5 million posts, while fan theories speculated on Season 3 arcs like a potential engagement or cultural fusion wedding. On TikTok, duets recreating Bell and Brody’s meet-cute scene garnered 20 million views, blending user-generated content with official clips. Critics like those at Slate noted the season’s “achievement in emotional depth,” though some pointed to stretched subplots, calling it “charming but occasionally meandering.”

Netflix’s rom-com slate continues to thrive, with “Nobody Wants This” joining hits like “Emily in Paris” Season 6 (projected for 2026) and “The Life List.” The platform’s data-driven approach—testing pilots with focus groups—paid dividends here, as Season 1’s 95% Rotten Tomatoes score set high expectations met by the sequel. Bell, Emmy-nominated for Season 1, hinted at awards buzz: “If we snag another nod, it’ll be for the laughs that hit too close to home.” Brody, fresh off “The Boys” Season 5, credited the role with reigniting his passion for lighter fare.

Behind the scenes, Foster’s semi-autobiographical touch adds authenticity. The series draws from her interfaith relationship with husband Simon Hare, exploring themes of identity without preachiness. Diversity efforts shine through: 40% of the writers’ room identifies as Jewish or from mixed-faith backgrounds, ensuring nuanced portrayals. Netflix’s inclusivity push extended to accessibility, with closed captions in multiple dialects and audio descriptions for visually impaired viewers.

As Season 3 gears up—filming eyed for mid-2026 in Toronto—the cast teases bolder stakes. Lupe shared in a Deadline roundtable, “Expect more family interventions and maybe a road trip.” With global appeal—charting high in the UK, Canada, and Australia—the show positions Netflix to dominate holiday viewing. Promotional campaigns include a “Want This?” playlist on Spotify, curated by the soundtrack team, featuring rising artists like Noah Kahan.

Fan engagement remains key. Netflix hosted virtual watch parties during premiere week, drawing 50,000 participants for live chats with the cast. Merch drops like “Rabbi’s Got Jokes” tees sold out online, while a podcast spin-off, “Want This Extras,” launched November 1 with behind-the-scenes anecdotes. The series’ lighthearted take on heavy topics—cultural integration, ambition, forgiveness—resonates in a divided world, proving rom-coms can spark meaningful dialogue.

With 18 million views and counting, “Nobody Wants This” Season 2 proves love stories still sell—messy, multicultural, and unapologetically fun. As Joanne quips in the finale, “Nobody wants this… until they do.” Season 3 can’t come soon enough.