🚨 BREAKING: Denzel Washington & Robert Pattinson just UNLEASHED on a Netflix heist set—spotted in gritty street showdowns that scream betrayal & billions on the line! 😈 First photos drop a plot packed with double-crosses, but who’s the real mastermind? 👀 This duo’s chemistry could flood the charts… Who’s betting on an Oscar sweep?

Here Comes the Flood: First Set Photos Reveal Denzel Washington and Robert Pattinson in Tense Netflix Heist Thriller, Plot Details Emerge

The floodgates are open on Netflix’s latest high-stakes gamble: Here Comes the Flood, a gritty heist thriller starring Denzel Washington and Robert Pattinson, has unleashed its first set photos, offering a tantalizing glimpse into a world of deception, double-crosses, and desperate alliances. Snapped on location in Bloomfield, New Jersey, on November 5, 2025, the images capture the two-time Oscar winner and the brooding Batman alum in the thick of what looks like a rainy-night confrontation—Washington in a weathered trench coat, Pattinson hooded and shadowed, both exuding the kind of coiled intensity that promises fireworks. It’s the first concrete look at the film since production kicked off last month, and with plot specifics now trickling out, Hollywood insiders are buzzing about a potential awards-season contender from the streamer.

Directed by Oscar nominee Fernando Meirelles (City of God, The Two Popes), the film is penned by Simon Kinberg (Mr. & Mrs. Smith, The Martian), who co-produces alongside Audrey Chon for Genre Films, with Meirelles and Samson Mucke on board as well. Described as an “unconventional heist movie,” Here Comes the Flood dives into a tangled web of cons involving a bank guard, a teller, and a master thief, all ensnared in a deadly game of betrayals that unfolds in non-linear fashion. Early whispers suggest Washington’s character, an Iraqi War veteran turned bank security guard, teams up with Pattinson’s enigmatic thief and Daisy Edgar-Jones’ sharp-witted teller for a score that spirals into chaos—complete with a lovers’ double-cross that pins the blame on the pro. The photos, credited to Getty’s Bobby Bank, show the trio huddled in a downpour outside a nondescript warehouse, rain-slicked streets mirroring the film’s title and the moral deluge about to hit.

This isn’t your standard bank-job flick. Kinberg’s script, acquired by Netflix back in 2020, leans into psychological cat-and-mouse games over explosive set pieces, with the non-linear structure—think Pulp Fiction meets The Usual Suspects—keeping audiences guessing about loyalties until the final reel. “It’s about the human flood when greed meets desperation,” Meirelles teased in a recent Variety chat, hinting at themes of post-war trauma and economic fallout that hit close to home in today’s economy. Production, which runs from September 22, 2025, to January 22, 2026, is hunkered down in New Jersey’s industrial pockets to capture that raw, East Coast grit—no green screens here.

Washington, 70, brings his signature gravitas to what sources call the “weary anchor” of the trio—a role tailor-made for the Training Day legend who’s long mastered the art of quiet menace. Fresh off Ridley Scott’s Gladiator II (where he chewed scenery as the villainous Macrinus) and Spike Lee’s Highest 2 Lowest—a Kurosawa remake dropping August 22, 2025, via A24 before streaming on Apple TV+ September 5—Washington is in peak form. This marks his first Netflix lead gig, though he’s produced gems like Ma Rainey’s Black Bottom and The Piano Lesson for the platform. “Denzel’s the rock—everything orbits his moral ambiguity,” a set insider dished to Deadline. At an age where retirement rumors swirl (he joked about it at Cannes this year), Washington shows no signs of slowing, with Here Comes the Flood poised as a late-career pivot to indie-thriller territory.

Pattinson, 39, embodies the slippery master thief with his trademark brooding edge, a far cry from the caped crusader in Matt Reeves’ The Batman Part II (slated for October 2027). The Twilight alum, who’s reinvented himself through arthouse darlings like The Lighthouse and Bong Joon-ho’s Mickey 17 (a 2025 sci-fi hit), returns to Netflix after The King (2019) and The Devil All the Time (2020). He’s also juggling Lynne Ramsay’s Die, My Love (opposite Jennifer Lawrence, Cannes premiere imminent), Christopher Nolan’s The Odyssey (as Hermes, 2027), and a villainous turn in Denis Villeneuve’s Dune Messiah. In the photos, Pattinson’s disheveled look—dripping wet, eyes darting—hints at a character unraveling under pressure, much like his frantic Connie in Good Time (2017). “Rob’s got that feral energy; paired with Denzel, it’s electric,” Kinberg told The Hollywood Reporter.

Rounding out the core is Edgar-Jones, 27, as the teller caught in the crossfire—a breakout role for the Normal People and Twisters star whose quiet storm in Fresh (2022) proved her thriller chops. Recent additions beef up the ensemble: Black Panther‘s Danai Gurira as a no-nonsense FBI agent, Mission: Impossible‘s Sean Harris as a shadowy fixer, and more to be announced, per The Playlist. It’s a mix of heavy-hitters and rising talents, perfect for a film that’s less about the loot and more about the lies.

Meirelles, 69, whose City of God (2002) earned four Oscar nods and put Brazil on the map, brings his kinetic style—handheld cams, vivid colors—to this American tale. After The Constant Gardener (2005 Oscar win for Rachel Weisz) and Netflix’s The Two Popes (2019), he’s no stranger to prestige tension. “Fernando shoots like a storm—chaotic, immersive,” a crew member leaked to Screen Rant. Kinberg, repped by CAA, swaps superhero spectacles (X-Men: Days of Future Past) for intimate cons, drawing from his Sherlock Holmes days with Guy Ritchie.

The set photos, shared first on X by @mediafilmcrave, went viral overnight, amassing 1.2 million views and sparking memes pitting Washington vs. Pattinson in “ultimate showdown” edits. Fans are already dissecting: “Denzel’s face says ‘I’ve seen this con before’—Pattinson’s screams ‘Trust me, bro,’” one tweet quipped. Netflix, riding high on heist hits like Triple Frontier and Kaleidoscope, sees Flood as a prestige play amid 2025’s slate (The Gray Man 2, Back in Action).

No release date yet—post-production eyes summer 2026, with a fall festival debut possible—but the buzz is flood-level. In a genre bloated with reboots (Ocean’s 14 rumors swirl), Here Comes the Flood bets on star power and script smarts. Washington’s eyeing a third Oscar? Pattinson shedding Bat-shadows? Edgar-Jones her big action leap? The photos say yes.

As rain pounds the Jersey set, one thing’s clear: When Denzel and Rob collide, the real heist is on our hearts.