🔥 “THIS IS NOT MY WITCHER!”

The legendary author Andrzej Sapkowski just DROPPED A BOMB on Netflix’s The Witcher Season 4 – calling it a total “WOKE MESS” after bingeing episodes and slamming creators for butchering his epic saga! 😤

Fans are in MELTDOWN as Liam Hemsworth fires back with a SCATHING comment that has everyone questioning if Geralt’s world is doomed forever… Is this the betrayal that kills the Continent? You HAVE to see what Sapkowski said that left execs shaking!

Who’s ditching Netflix over this? Rage in the comments 👇 and click for the FULL savage takedown!

Fantasy icon Andrzej Sapkowski, the Polish mastermind behind The Witcher novels, has unleashed a firestorm on Netflix’s hit series, declaring after viewing Season 4 episodes: “This is not my Witcher – this is just another WOKE MESS!” The 77-year-old author’s scathing critique, leaked from a private interview with Polish media, accuses showrunners of injecting “heavy-handed modern agendas” that butcher his gritty, lore-rich Continent.

Sources claim Sapkowski, who rarely watches adaptations, binged several Season 4 episodes at Netflix’s invitation – only to erupt in frustration. “They turned my monsters into metaphors for tolerance seminars,” he allegedly fumed, echoing long-standing gripes that the show prioritizes diversity quotas over Sapkowski’s Slavic folklore roots and moral ambiguity.

The backlash exploded online, with the phrase “This is not my Witcher” trending globally on X, amassing millions of views. Fans hailed Sapkowski as the voice of truth, reigniting debates over the show’s deviations since Season 1. Polish devotees, in particular, tagged Netflix execs in viral threads, accusing the series of “cultural erasure” by softening Geralt’s world into “IKEA fantasy with pronouns.”

Adding fuel to the fire, new Geralt actor Liam Hemsworth – who replaced Henry Cavill amid creative clashes – reportedly left a “fiery” response on social media. Insiders say Hemsworth commented on a fan post: “Respect the original, or step aside – but don’t cry when the author calls it out.” The alleged clapback, quickly deleted but screenshotted, has sparked speculation of on-set tensions.

This isn’t Sapkowski’s first rodeo with Netflix. He’s repeatedly slammed the streamer for ignoring his input, famously quipping in 2023: “They never listened to me – it’s normal, who’s this writer? Nobody!” During a Vienna Comic Con appearance, he dismissed adaptations outright: “There’s the original, and then there are adaptations.”

Season 4, which premiered October 30 amid plummeting viewership, stars Hemsworth as a “softer” Geralt, drawing brutal reviews. The Guardian dubbed him “as charismatic as a bollard in a wig,” while Rotten Tomatoes audience scores hover at a dismal 17%. Critics blame “woke” tweaks: amplified queer storylines, empowered sorceresses overshadowing Geralt, and diluted monster hunts for political allegory.

Showrunner Lauren Schmidt Hissrich defended the changes in a Dexerto interview: “No one is taking the books away. Everyone can have their version of The Witcher.” She announced stepping back after Season 5, the planned finale, amid reports of “strategic realignment.”

Sapkowski’s history with adaptations is rocky. He once regretted selling game rights to CD Projekt Red for peanuts, only renegotiating after The Witcher 3‘s billions. For Netflix, he cashed in big but distanced himself: “I’ve seen better. I’ve seen worse.” In a recent Reddit AMA, he reiterated: “The original stands alone.”

Hemsworth, dodging the storm, told EW he avoided social media “for most of last year” due to “noise.” But his alleged fiery retort hints at frustration, especially after photos surfaced of him posing with Sapkowski on set – a moment fans now mock as “awkward.”

Fan petitions demanding Cavill’s return surpass 500,000 signatures, with boycotts threatening subscriber drops. Nielsen data shows Season 4’s premiere clocked just 18 million hours – a 60% plunge from Season 3. Netflix stock dipped 3% post-premiere amid “Witcher fatigue.”

Yet, some defend the evolution. Collider praised Hemsworth for “meeting the challenge,” and Variety called Season 4 “sharper and less convoluted.” Hissrich insists changes weave threads for a fitting end, honoring Sapkowski’s prophecy themes without direct copies.

Sapkowski’s roots trace to 1980s Poland, blending folklore with satire on humanity’s flaws. His books sold millions pre-games, but CD Projekt Red’s trilogy exploded the franchise. Netflix bet $500 million, but flops like Blood Origin foreshadowed trouble.

Cavill, a self-proclaimed superfan, exited citing scheduling – but rumors persist of lore disputes. “He was Geralt,” fans chant, echoing Sapkowski’s past praise for Cavill’s “definitive” portrayal.

As Season 5 looms, questions swirl: Will Netflix beg Sapkowski for blessings? Apologize to Cavill? Or double down on the “mess”? One insider whispers emergency meetings, with shareholders eyeing cuts.

Sapkowski, promoting new book Crossroads of Ravens, remains blunt: “Blame the Muse.” But for fans, the real monster is Hollywood’s meddling. “He was right all along,” they echo from last year’s scandals. With viewership tanking, this “woke mess” may claim Netflix’s fantasy throne.

In the Continent’s brutal game, loyalty to the source wins – or everything burns.